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Elite Member
  加入日期: Nov 2000 您的住址: 臉書之 高苦茶
文章: 4,519
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引用:
............耶 真不想說自己有多老了 但是附中人常常會忍不住出來認親........  我是你的學長!!!
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*************************** 我的著作 : <人間書話> |
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2002-04-19, 02:03 AM
#41
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Advance Member
加入日期: Nov 2000 您的住址: 空中霸王
文章: 309
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真的.現在如果看到電影台播放一些六`七十年代早期的新浪潮電影,都會忍不住把它給看完.越來越覺得那些老電影的魅力充滿淡淡純樸`懷舊風`越陳越香,是歷久彌新的味道.如果侯導再把他以前的經典代表作重新整理,音效再請'杜篤之'重新混杜比聲.然後上電影院重新放映,最後再發行DVD,我一定會全力支持的.
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2002-04-19, 05:23 AM
#42
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Golden Member
 
加入日期: Jun 2000 您的住址: 家裡
文章: 3,506
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美國戲院可以把老片重新搬上大螢幕，不知道像這些有劃時代意義的
經典電影是否也可以採取一樣的模式，我真的很願意在去電影院重新體會一次 那種感動。 好書經得起一讀再讀，每讀都有不同的風味，不同的領會，好電影亦如是。 |
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2002-04-19, 08:11 AM
#43
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Golden Member
加入日期: Jun 2000 您的住址: 家裡
文章: 3,506
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轉載自美國著名的電影評論網站的一篇文章，Amazon 連 VHS,DVD 都沒有賣，
但是確有英文評論，寫的不錯喔，想看英文的可以看看別人是怎麼看台灣的電影。 評論者給滿分喔！ 戀戀風塵 (1986) reviewed by George Wu -------------------------------------------------------------------------------- DUST IN THE WIND (1987) by George Wu Rating: **** (out of 4) (因太長所以前兩段刪掉... 請參照原始網站資料) Given American ideology's emphasis on individuality, this country's filmmakers put the camera's focus on the character above all else. Hou, however, with his careful framing, long takes and long shots accentuates space and environment while depicting character. This greater sense of place shows how characters are inextricably bound to their surroundings which contribute as much to who and what they are as their own actions. In Dust in the Wind, for example, in one take, long shot with no camera movement, Hou shows us some old men sitting on the front steps of a house during a sudden electrical black out. A loud bang comes from within the house puzzling the men. The wife of the house hysterically enters frame left and rushes up the steps inside. We hear her talking to old Grandpa, who appears in the doorway cursing about how he mistook a firecracker for a candle. Not only is this funny, but it feels more real as Hou keeps us detached in our role of observer yet involved in caring for what happens to these people. Dust in the Wind is about Wan and his girlfriend, Huen, who quit their jobs in their small mining town of Jio-fen and move to Taipei to find work. Wan becomes a delivery boy while Huen assists a seamstress. Wan is a little too proud for his own good, but is earnest in taking care of the introverted Huen. He can barely take care of himself however. Hou makes an apparent reference to De Sica's Bicycle Thief when Wan finds his motorcycle stolen. His resulting depression leads him to wander in the rain, getting him a case of bronchitis. Then he finds himself drafted by the army. Hou collaborated with Chu T'ien-wen, who has written or co-written all of Hou's films, to give Dust in the Wind marvelously vivid details. Upon first moving to Taipei, Huen asks Wan what he thinks about various shoes in a store. After selecting a pair they both like, Wan finds that Huen is not asking for herself but for her family. She pulls out pieces of paper with the outlines of her family's feet traced on them so she can buy them the right sized shoes. Dust in the Wind is filled with these little vignettes revealing the struggles as well as the savored moments of everyday life in Taiwan. The film never romanticizes or sentimentalizes though it is filled with beauty, even of the ugly sort. Many images -- the characters marching up to their hillside home next to a mountain cast in the shadows of passing clouds, a Buddhist ritual in front of a raging ocean, soldiers silhouetted against an overcast sky -- are breathtaking. Dust in the Wind, being more diffuse and directionless than its predecessor The Time to Live and the Time to Die, ultimately doesn't equal that film's impact. It is nevertheless, one of the best films of the 1980s. Hou's films have only now finally found video distribution in the U.S., but they will have none of their impact on the big screen. The travesty is that most will never have the opportunity to view them as they should be seen. This Lincoln Center retrospective helps to correct that a little bit. 原網站: http://www.rottentomatoes.com/click...ge=1&rid=175788 |
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2002-04-19, 12:43 PM
#44
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Regular Member
 
加入日期: Aug 2001
文章: 50
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辛樹芬棒.聽了怎麼多人講台語.只有辛樹芬講的最棒啦.一點都沒有低俗的感覺...
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2002-04-19, 01:15 PM
#45
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Golden Member
加入日期: Jun 2000 您的住址: 家裡
文章: 3,506
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引用:
同意，若以後國小的鄉土教學都是能夠找到像 辛樹芬 這樣的老師， 講這樣一口漂亮的台語，那我也很願意從新學台語。 |
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2002-04-19, 01:34 PM
#46
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Major Member
加入日期: Dec 2000 您的住址: 台北
文章: 101
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轉貼一位朋友的感想
國中時有一次偶然間看到電視上播戀戀風塵 (那時不是有很多什麼華視深夜電影院之類的)
那時只覺得這麼一部有名的電影 如果我喜歡看電影那一定要看看 (現在回想起來 這應該是我第一部看的"藝術"電影吧) 更何況我是突然轉到 更不能辜負大師和我的緣分 所以我就兩眼半開半闔第撐到的影片結尾 我還不知道已經結局了 現在如果再看 心情應該不同了吧 看過侯麥的綠光嗎 他是一位我一直很有興趣卻不得其門而入的法國大導(片太難找了!!) 他通常身兼導演與編劇 影片都是以愛情為主題 演員身著時裝但與流行無關讓你看不出背景年代專注在劇中人物的對話 從電影中令人玩味的對白可以看到他對愛情一些有趣的看法 (或許可以說是法國的伍迪艾倫吧???) 今年台北電影節看了一部他的"人約巴黎" 覺得好有趣 單純的劇情卻讓人會心一笑 走出戲院愈咀嚼愈有味.....如果你對這類電影有興趣不妨一看 5/11起真善美要上映侯麥的四季春夏秋冬四部 4/18前預售票每部99 sorry太遲告訴你了 不過現在買還是有折扣 相關訊息上元碁網看一下吧 |
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2002-04-19, 05:46 PM
#47
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Major Member
加入日期: Dec 2000 您的住址: Taiwan
文章: 159
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引用:
既然是附中人相認，那就要來個「蜜語」。 學長，我是586。 586 ？ Pentium!! 高中時根本沒想到這數字後來會如此出名。 |
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2002-04-19, 06:43 PM
#48
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Major Member
加入日期: Nov 2001 您的住址: 台北
文章: 155
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手機"靈"聲
花了一些時間
把戀戀風塵的主題音樂抓出來 並輸入成手機鈴聲 結果... 節奏太快呢 味道就變了 節奏慢一點 卻又像是嗩吶吹著那送葬的哀樂 兩難啊... 只有單音鈴聲的手機就是這麼討厭！  |
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2002-04-19, 06:44 PM
#49
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Major Member
加入日期: Dec 2000 您的住址: Taiwan
文章: 159
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Re: 手機"靈"聲
引用:
好棒的想法！！把台灣味的音樂變成手機鈴聲！！COOOOOOOOOOOL |
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2002-04-19, 07:03 PM
#50
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