這張配樂發這麼快?

今年暑假我只想聽聽看Hans的亞瑟王和雷鳥神機隊
雷鳥在Hans的手中會變成什麼樣子
是我目前最想知道的謎.....

蓋布瑞亞德為了這個事情
還曾經發表公開信
令人很好奇本來的配樂不知道怎麼樣?
再怎麼被電影公司認為爛
我想也比Horner這張好吧?


"For the many people who have contacted me through email and other means over the last two weeks, I would like to summarise and present the facts which led up to the rejection of my score for the film Troy, after nearly a year of great and very fruitful collaboration with the director Wolfgang Petersen.

I first met Wolfgang Petersen in March 2003 when he presented to me the idea of working on the score for Troy. We got off to a great start and he explained that he'd come to me to bring a deeper level of emotion to his film, and that although he knew I wasn't well known for writing big epic scores he told me he was confident from the things he had heard from my previous work that I would be more than capable of delivering a great score that would have a great original flavour.

In April 2003 I began work on the source music which needed to be pre-recorded as it was featured in the film. This was a great challenge as it required the creation of a convincing and effective ancient sound. The scenes included dances, funerals and mourning women and even drinking songs. In order to recreate the wailing and crying of the mourning women I used a Bulgarian choir and some Eastern European soloists to make what turned out to be a great sound very evocative of the setting. These mourning women pieces also gave me some great ideas that I would later incorporate into the underscore and soundtrack as a whole. It was also at these sessions that I met a young Macedonian singer, Tanja Tzarovska, who later went on to feature in the score and the song.

..................

Gabriel Yared
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