特洛伊...難看到不需要給你一個理由...><"
 

昨天拼去看晚場的特洛伊......

結果...
樂聲...人很多
國賓...很多人

重點是...電影爆難看......><"

把神話故事的神話元素抽離.....
結果也沒加入多少深刻的人性爭執......
整場就看一堆賀爾蒙分泌過剩的勇士打來打去....
真是亂七八糟....:jolin:

不過跟索羅溫德在買票前的一段對話還滿有趣的....

海豚:[樂聲人也那麼多...不然我們去日新看好了...]

SoloWind:[可是日新要等到明天過後才會上映...]

海豚:[沒關係,那就星期天再去看啊!]

SoloWind:[我是說日新要等明天過後才會上映....]

海豚:[沒錯啊~明天過後不是星期天嗎???]

SoloWind::jolin: :jolin: :jolin:

阿.....忍住！:shock:早知道就不要進來..... 還是要企看~

回覆: 特洛伊...難看到不需要給你一個理由...><"
 

導演渥夫岡彼德森的手法拙劣
用傳統到不行的流水帳方式講一個複雜的故事
抓不到整個劇本的中心意義在哪裡
多頭馬車的結果(又是愛情 親情 愛國 關懷士兵 個人榮譽 **** ...亂七八糟)
只剩下傑出的特效和美術服裝設計空留餘恨
讓我不相信這位大師竟然曾經是德國新浪潮健將...:fear:

配樂James Hornor的表現也實在讓人搖頭
拼命想要向Hans Zimmer傑作Gladiator的New Age風格看齊
只是在呆版樂器配置和重複抄襲自己的曲調運用上
加上再多無謂的吟唱也烘托不出史詩中的悲劇氣氛
失敗中的失敗

原本的配樂應該是"天才雷普利"的那位蓋布瑞亞德
結果渥夫岡彼德森在電影即將上映不到二個多月的時間
竟然硬是將人家作了一年多的配樂換掉
讓James Hornor提槍上陣
得到這種慘烈的結果
實在讓人唏噓不已.....:fear:

末代武士的導演手法和劇情編寫有很多問題
但是因為配樂Hans Zimmer的表現而有許多加分

特洛伊連配樂都吵的要命
讓不怎麼樣的末代武士倒是成為最近唯一讓人可以下嚥的史詩電影

:nonono:

回覆: 特洛伊...難看到不需要給你一個理由...><"
 

這個真的好笑 :D :D :D

回覆: 回覆: 特洛伊...難看到不需要給你一個理由...><"
 

我就知道你會這麼說...:D :D

看cd底頁的介紹,
發行商竟然還沾沾自喜的說
"James Horner只用了13天就完成了整部電影配樂的譜寫"...:think: :think:

回覆: 回覆: 特洛伊...難看到不需要給你一個理由...><"
 

我就知道你會這麼說...:D :D

看cd底頁的介紹,
發行商竟然還沾沾自喜的說
"James Horner只用了13天就完成了整部電影配樂的譜寫"...:think: :think:

回覆: 回覆: 回覆: 特洛伊...難看到不需要給你一個理由...><"
 

這張配樂發這麼快?

今年暑假我只想聽聽看Hans的亞瑟王和雷鳥神機隊
雷鳥在Hans的手中會變成什麼樣子
是我目前最想知道的謎.....:D

蓋布瑞亞德為了這個事情
還曾經發表公開信
令人很好奇本來的配樂不知道怎麼樣?
再怎麼被電影公司認為爛
我想也比Horner這張好吧?:fear:


"For the many people who have contacted me through email and other means over the last two weeks, I would like to summarise and present the facts which led up to the rejection of my score for the film Troy, after nearly a year of great and very fruitful collaboration with the director Wolfgang Petersen.

I first met Wolfgang Petersen in March 2003 when he presented to me the idea of working on the score for Troy. We got off to a great start and he explained that he'd come to me to bring a deeper level of emotion to his film, and that although he knew I wasn't well known for writing big epic scores he told me he was confident from the things he had heard from my previous work that I would be more than capable of delivering a great score that would have a great original flavour.

In April 2003 I began work on the source music which needed to be pre-recorded as it was featured in the film. This was a great challenge as it required the creation of a convincing and effective ancient sound. The scenes included dances, funerals and mourning women and even drinking songs. In order to recreate the wailing and crying of the mourning women I used a Bulgarian choir and some Eastern European soloists to make what turned out to be a great sound very evocative of the setting. These mourning women pieces also gave me some great ideas that I would later incorporate into the underscore and soundtrack as a whole. It was also at these sessions that I met a young Macedonian singer, Tanja Tzarovska, who later went on to feature in the score and the song.

..................

Gabriel Yared
有興趣看全文可以去下面
MusicFromTheMovies.com





:cool:

回覆: 回覆: 回覆: 回覆: 特洛伊...難看到不需要給你一個理由...><"
 

me too....:like: :like:

ump45兄對於電影音樂真的懂很多,
有空別忘了上來多交流...:p

回覆: 特洛伊...難看到不需要給你一個理由...><"
 

看到這段我也想起與連上弟兄的對話。

上週留守，週六下午看電視看到"明天過後"預告
大家看完都覺得很好看，一定要去電影看，結果.....

有人問：什麼片呀
我：明天過後
彬（過到呆掉）：明天過後喔．那週二休假就可以看了
我：明天過後５／２８上映
彬：５／２８？？？你不是說明天過後就上映了
我：不是，明天過後是５／２８上映
彬：明天過後不是週一，怎麼是５／２８呢
我＆眾人（冷汗點點點）：這片叫”明天過後”，是５／２８才上映
彬：是這樣喔，講清楚嘛
我＆眾人（心想）：是誰搞不清楚（冷汗點點點．．．．）

應援團報到.......

我還沒看.........

不過值得看嗎???
:p